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The 1970s and 80s represent the high watermark of this cultural symbiosis. This was the era of the New Wave or Middle Stream , spearheaded by legends like Adoor Gopalakrishnan, G. Aravindan, and John Abraham. Unlike their Hindi counterparts who were lost in romance, these filmmakers were obsessed with nadanpuravugal (rural landscapes) and the crumbling feudal order. The demand for, underscores a larger trend: the

Perhaps the most defining aspect of modern Malayalam cinema is the decay of the "star" system. In Tamil or Hindi cinema, a star’s "opening" is largely independent of the film’s plot. In Kerala today, the audience has become notoriously fickle. Even a film starring Mammootty or Mohanlal will crash on opening day if the reviews are poor.