Mario Salieri.-megapack- //top\\ Here

Technically, the MegaPack is a treasure trove for cinematographers. Salieri famously refused to use flat lighting. He utilized to an obsessive degree. Look at any frame from The Secret of the Sphinx : the shadows fall diagonally across breasts and thighs like prison bars. It is erotic, yes, but it is also oppressive. You feel the weight of the characters' secrets.

Yet, defenders argue that Salieri’s female characters always win . They use sex as a weapon. In La Venere Nera , the enslaved protagonist seduces and poisons her master in the final reel. The sex was a means to an end. Salieri himself always claimed he was a Marxist: “In a capitalist system, the body is the only true capital a worker owns. My films are about how they spend it.” Mario Salieri.-MegaPack-

Salieri began his career targeting the Italian market with gritty, semi-amateur underground tapes shot in the Netherlands. The MegaPack tracks this raw developmental stage through works like: Inside Napoli (1989) Roman Orgies – Italian Perversions (1990) Roma Connection (1991) 2. The Golden Era Masterpieces (1993 – 1999) Technically, the MegaPack is a treasure trove for