| Song | Daisley’s contribution | |------|------------------------| | “Over the Mountain” | lyrics, bass line arrangement | | “Flying High Again” | full lyric structure | | “You Can’t Kill Rock and Roll” | lyrics | | “Believer” | lyrics, music co-write | | “Little Dolls” | lyrics | | “Tonight” | lyrics, melody suggestion | | “Diary of a Madman” (title track) | lyrics, bass arrangement |
As the search for a direct PDF or e-book version of "For Facts Sake" did not yield any results, it's best to assume that a legitimate digital edition is not available in the same way a digital copy of a newer release might be. To date, the book has primarily appeared as a physical edition, and any files claiming to be a PDF or e-book are likely unauthorized copies, potentially with missing content, poor image quality, or other errors. Therefore, the best way to read this book and truly experience it as it was intended is to purchase a physical copy. bob daisley for facts sake pdf 1 new
, forming a long-standing musical partnership that spanned multiple decades and genres, from hard rock to blues. , forming a long-standing musical partnership that spanned
For those looking to buy, you can find the hardback on Amazon or check for new copies on AbeBooks . Key Takeaways from the Memoir Published in August 2013, For Facts Sake is
He was fired again before release and replaced by Mike Inez (bass) and credited only as writer.
Published in August 2013, For Facts Sake is the official, 325-page autobiography of Bob Daisley. The title is a perfect reflection of the book's no-holds-barred content, as Daisley finally takes readers behind the curtain of a fifty-plus-year career in music. It's a meticulously detailed account, drawing from an extensive diary he has kept since 1976, and he wrote every word himself, with no co-writers or ghost-writers.
To understand why exists, you have to understand the controversy that preceded it. Daisley and Kerslake were fired from the Ozzy Osbourne band before Diary of a Madman was even released. When the album came out, the credits listed bassist Rudy Sarzo and drummer Tommy Aldridge – musicians who had not played a single note on the record. “That was a travesty, a true crime against [drummer] Lee Kerslake and me,” Daisley told Bass Player magazine decades later. “I’d worked hard on that album … and then, to see all my hard work get credited to someone who’d had nothing to do with any of it was heartbreaking, and the same goes for Lee”. He added that seeing the erroneous credits for the first time was “like a punch in the solar plexus”.
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