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| Time | Segment | Description | |------|---------|-------------| | | Arrival & Ambient Soundscape | Guests were welcomed by a low‑frequency drone generated in real time by Raf Ortiz using a custom Max/MSP patch. The sound gradually introduced faint, chopped vocal samples of Ciboulette’s previous performances, creating a sense of “being inside a memory.” | | 20:00 – 20:15 | Opening Visuals | Miro Šimić projected an evolving kaleidoscope of angelic silhouettes that fragmented and recombined, mirroring the theme of transformation. Subtle data from audience heart‑rate monitors (opt‑in) altered the color palette. | | 20:15 – 21:00 | Ciboulette’s Self‑Sucking Ritual | Center stage, Ciboulette entered wearing a reflective bodysuit embedded with tiny LED filaments. She began a slow, choreographed sequence where she “sucked” a thin, translucent tube into her mouth—an apparatus that actually funneled a mist of aromatic chive‑infused vapor (hence “ciboulette”). The vapor symbolised the ingestion of the herb’s essence, a nod to her stage name. The act was accompanied by a live‑coded audio loop that sampled her breath and transformed it into glitchy percussive hits. | | 21:00 – 21:30 | Interactive “Autophagy” Installation | Audience members were invited to write a short personal confession on luminous paper, which they then placed into a rotating glass cylinder. The cylinder slowly dissolved the paper in a biodegradable solution, projecting the ink onto a wall—visualizing the “self‑consumption” of secrets. | | 21:30 – 22:00 | Climactic Collapse & Rebirth | The lighting designer Kat Liu dimmed the space to near‑darkness, then triggered a burst of cold‑blue strobe that synced with a massive bass drop. Simultaneously, the central pit’s floor opened to reveal a mirror pool ; Ciboulette emerged, drenched, symbolising rebirth after the self‑consumption phase. | | 22:00 – 22:15 | Encore & Reflection | A quiet acoustic piece, performed on a hand‑crafted chive‑wood harp , closed the night. Ciboulette addressed the crowd, emphasizing that the performance was “a reminder that we must sometimes consume ourselves to grow.” |